Psychotic Reactions And Carbur(ISBN=9780679720454) 下载 kindle 电子版 pdf mobi pmlz 夸克云 caj

　　Vintage presents the paperback edition of the wild and

brilliant writings of Lester Bangs--the most outrageous and popular

rock critic of the 1970s--edited and with an introduction by the

reigning dean of rack critics, Greil Marcus. Advertising in Rolling

Stone and other major publications.

Introduction and Acknowledgments

PART ONF, Two Testaments

　Psychotic Reactions and Carburetor Dung: A Tale of These Times (

1971)

　Astral Weeks (1979)

PART TWO i Blowing It Up

　Of Pop and Pies and Fun: A Program for Mass Liberation in the Form

of a Stooges Review, or, Who's the Fool? (1970)

　James Taylor Marked for Death .(1971)

　Do the Godz Speak Esperanto? (1971)

PART THREE Creemwork--Frauds, Failures, and Fantasies

　Chicago at Carnegie Hall, Volumes I, II, III & IV (1972)

　Black Oak Arkansas: Keep the Faith 1972)

　White Witch (1972)

　John Coltrane Lives (1972)

　The Guess Who: Live at the Paramount (1972)

　James Taylor: One Man Dog (1973)

　The Incredibly Stranoe Creatures Who Stopped Living and Became

Mixed-Up Zombies, or, The Day the Airwaves Erupted (1973)

　Jethro Tull in Vietnam (1973)    

　Screwing the System with Dick Clark (1973)

　Slade:Sladest (1973)

　My Night of Ecstasy with the J. Geils Band (1974)

　Johnny Ray's Better Whirlpool (1975)

　Barry White: .lust Another Way to Say I Love You (1975)

　Kraftwerkfeature (1975)

　David Bowie: Station to Station (1976)

PART FOUR Slaying the father

　from Untitled Notes on Lou Reed, 1980

　Let Us Now Praise Famous Death Dwarves, or, How I Slugged It Out

with Lou Reed and Stayed Awake (1975)

　How to Succeed in Torture Without Really Trying, or, Louie Come

Home, All Is Forgiven (1976)

　The Greatest Album Ever Made (1976)

　from Untitled Notes on Lou Reed, 1980

PART FIVE Slaying the Children, Burying the Dead, Signs o!

Life

　Igg'/Pop: Blowtorch in Bondage (1977)

　I Saw God and/or Tangerine Dream (1977)

　Where Were You When Elvis Died?/1977)

　Peter Laughner (1977)

　The Clash (1977)

　Richard Hell: Death Means Never Having to Say You're Incomplete

(1978)

　Growing Up True Is Hard to Do (1978)

　The White Noise Supremacists (1979)

　Sham 69 Is Innocent! (1979)

　New Year's Eve (1979)

　Otis Rush Mugged by an Iceberg (1980)

　……

Index

暂无相关内容，正在全力查找中

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：Psychotic Reactions And Carbur(ISBN=9780679720454)在线阅读

在线听书地址：Psychotic Reactions And Carbur(ISBN=9780679720454)在线收听

在线购买地址：Psychotic Reactions And Carbur(ISBN=9780679720454)在线购买

暂无原文赏析，正在全力查找中！

书籍介绍

From Publishers Weekly

Until his death in 1982 at age 34, Bangs wrote freewheeling rock 'n' roll pieces for Creem, Rolling Stone, the Village Voice and London's NME (New Musical Express. As a rock critic, he was adept at distinguishing the commercially packaged product from the real thing. Written in a conversational, wisecracking, erotically charged style, his impudent reviews and essays explore the connections between rock and the body politic, the way rock stars cow their audiences and how the pursuit of success and artistic vision destroys or makes rock performers as human beings. This collection (which includes no Rolling Stone pieces) covers "fake moneybags revolutionary" Mick Jagger, John Lennon ("I can't mourn him"), David Bowie "in Afro-Anglican drag," Iggy Pop, the Troggs, Lou Reed, Van Morrison, Chicago, the Clash, many more. Marcus, a music critic, is the author of Mystery Train: Images of America in Rock 'n' Roll Music.

Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

For rockers whose tastes demand more than Madonna and who remember back before Bruce, this is a gem. By turns insightful and hilarious, these collected essays by the late, legendary Banks (mostly accumulated from hard-to-come-by journals like Creem ) constantly astound. If your mind can embrace a shrewdly perceptive essay on the Troggs with the title "James Taylor Marked for Death," you also deserve to read the title essay on the Count Five's first album, some amazingly antagonistic love/hate interviews with Lou Reed, and so on. Add to all this a whacked-out sprung prose style (and vocabulary) that would make Gerard Manley Hopkins gasp for air, and you havewellwhat you have. For larger music collections, this is, like, highly recommended. Robert E. Brown, Onondaga Cty . P.L., Syracuse, N.Y.

Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.